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| The e-PAI editorial policy statement | ||
| The journal section of ePAI aims to provide a forum for theoretical and critical debate about all aspects of performance, covering hybrid forms as well as work in the discrete genres of dance, drama and music. It also aspires to an international dimension, bringing non-western performance art forms into a shared or complementary critical perspective. Clearly, these are bold ambitions, of which the potentially wide span will seldom be evident in a single issue. However, the editorial policy is to cover the ground incrementally, sometimes with specialised and focussed issues, sometimes with a more broadly based approach. The general focus will be on contemporary rather than historical material and concerns. Within this broad agenda for the journal, it is envisaged that a number of more specialised areas of interest will emerge, relating, for instance, to the Asian Performance Research Centre and the Music Performance Research Group based at Middlesex University, as well as the Research Centre into Creativity in the Performing, whose work underpins other sections of ePAI. |
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| Guidelines on copyright and submission policy | ||
| The works included in ePAI are the property of their authors and are used by permission. Since the rules for use of published electronic documents are still somewhat undefined, we request that readers apply the same principles of fair use to the works in this electronic archive that they would to a published, printed archive. These works may be read online, downloaded for personal use, or the URL of a document (from this server) included in another electronic document. The text itself may not be published commercially (in print or electronic form), edited, or otherwise altered without the permission of the author. As with printed materials, care should be taken when excerpting or referencing text to ensure that the views, opinions, and arguments of the author accurately reflect those contained in the original work. No payment is made for contributions, except in the case of occasional invited papers. The authors of papers published in ePAI retain the copyright and are responsible for ensuring that permission is granted for any illustrative material etc accompanyingx the paper. We ask for the permission to use the material in any form. We also request that the initial publication in ePAI is acknowledged in any future publication of the same article. Papers are submitted anonymously to at least one referee with appropriate expertise and the right is reserved to suggest or require revision to accepted papers before publication. Proposals are also invited to guest edit a theme issue of ePAI; this could include conference proceedings. Please click here to discuss a proposal with the editorial team. Before a paper is published in ePAI copyright agreement must be confirmed by the author. Please click here to view and complete the form electronically. |
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| Format | ||
| All contributions must be sent in electronic format on 3.5" diskettes or by e-mail.
TEXT/COPY: MEDIA CONTENT: The official language is English. Other languages could be used for extra keywords and supplementary summaries if the authors provide them. |
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| Submission guidelines | e-PAI Journal · Rescen magazine · links | |
| ePAI (the electronic journal Performance Arts International ) and ResCen (the Centre for Research into Creation in the Performing Arts) are initiatives supported by the School of Art, Design and Performing Arts at Middlesex University. | ||